Day Nine: 10 Paintings in 10 Days
I have figured out what was flummoxing me in my initial paintings of these ladies of the night–texture. The gorgeous and CHEAP handmade canvas, with it’s almost 3 inch deep frame and pre-toned primer applies, has a very different texture than the usual plastic-wrapped sort I’d get at El Pato or art supply stores in the states.
The toothy, richly toned canvas is ideal for a dry brush technique, where just a tad bit of paint is scrumbled, painting in a circular motion. I originally discovered this on day 5 of the challenge, but I added too much paint and lost the lovely, delicate quality of soft-toned skin that I had fallen for just a few brush strokes ago…
That’s why Day 6 of the 10 paintings in 10 days challenge produced one of my favorite works of late-I applied what I learned in day 5.
I used the same approach for today’s painting.
The internet here in San Miguel seems to be taking a siesta…or more likely tipsy on tequila, since it’s past midnight as I clock in day 9, so I can only load this one photo of the process.
This dama had a challenging, and yet resigned look in her photo. I was inspired to put the stamp of the San Miguel health inspection stamp on her card behind her head like an off-kilter halo. She immediately became Maria for me, a fallen angel, a very different manifestation of virgin mother…or perhaps more Mary Magdalene? Her breast is bared to offer sustenance, like each Mary did in her own way, and as all women offer themselves in one way or another to create life in this world.
I’m going to cut myself a break and add all the gold I want on this one. The Klimt influence gets to flirt with italian renaissance representations of the divine feminine. Loving that learning from my mistakes this past ten days, and learning how to use my materials, has led to the creation of this Maria.