Day Five: 10 Paintings in 10 Days
I had no idea how much I would enjoy today’s painting process, even though there are a few lil things I still want to tinker with, as usual.
I knew I wanted all white for this portrait, with the features of the woman coming through almost as if from a fog, ghostly pale, all but for her dark hair and eyes.
Of all the women who once worked at the bordello on San Miguel de Allende, I thought this woman’s innocent visage seemed the most unsuspecting. Her white dress in her photo inspired me to turn up the blanca and use as little of the other colors as possible.
As I began, I feel in love with how the white paint interacted with the sienna toned background. Instead of adding coming to make a shade for the contours of her face, I could just apply LESS white and scrumble the brush into the canvas for the mid tones (scrumbling is when you use very little paint on a stiff bristle brush and rub it into the canvas in a circular motion).
The effect was very soft and lovely, just what I had sensed from the lady of the night’s sad sweet face.
After adding a raw umber (dark dark brown), I was less enchanted. Even the mouth on this lady is turned up like she’s less than pleased. However, after going in to add some light peachy tones and enhancing her eyes, I think she’s coming along rather prettily, as you see below.
I think I might have hints of a subtle rose playing in the layers of white, and I’m debating whether or not to give her deep crimson red lipstick, just on the top lip. Please do comment with your thoughts below, or like on Facebook!
See you tomorrow with another San Miguel de Allende damsel on the easel.