Fun will include but is not limited to:
-Create your own comic books
-Learn what secret ingredients you need to make your own slime
-Create a paper-mache volcano, then make it explode!
-Games, painting & sculpture building
-Visit the park, Plaza Civica, and the Botanical Gardens
Sign up now and reserve your child’s spot with a deposit. Each week is limited to 20 students max.
Price: $350/week per child (*ask about sibling & local discounts for SMA residents)
CAMP RECYCLED MATERIAL DROP-OFF
Your trash is our treasure! If you have old magazines, empty toilet paper rolls or other fun things we would re-use for camp, please drop them off for us to use to create with the kiddos! The importance of recycling, our planet, and coming together as a community are a big part of our camp.
swing by between 10:30-4:00pm at #18 San Francisco
Camp director Jessica Antonelli ran the successful “Growing Place Summer Camp” in Galveston, TX, and is a certified K-12 art teacher. Our staff includes wonderful bilingual counselors from here in San Miguel.
Past Summer Camp:
Click here to view the brochure from our past day program, The Growing Place Summer Camp in Galveston, Texas.
And a few pictures from our fun with the kids!
We were so pleased to have renowned urban sketcher James Richards teach his workshop “Sketching the Energy of Places” at Studio Antonelli.
Check out his blog here and see his photos of the trip, and some great sketches! He also offers a wonderful online sketching course and teaches workshops all over the world. Highly recommended!
“Postcards from San Miguel” 3-7:00pm Wednesday, March 15th
We’ve had the pleasure of having artist Shannon Troxler teaching Plein-Aire and Life Drawing classes this past few weeks at Studio Antonelli.
She’ll be exhibiting thirty small paintings at the gallery, a collection of oils, sketches and watercolors that capture the everyday moods of San Miguel. The paintings are small and informal, small enough to tuck into your suitcase and take home, just like a postcard.
We will provide watercolor-paper postcards and all other materials. Shannon will work on a small painting of the lovely view of San Fransisco Church. Come by and enjoy the fun!
More on Shannon:
Shannon lives in Jackson hole Wyoming where she has been a professional artist for over twenty five years. Troxler started visiting San Miguel eight years ago in search of brilliant light and saturated color. Shannon enjoys painting the intimate corners of San Miguel. Her paintings are full of bustling cafes and restaurants, arches and fountains, church facades and rooftop views. She paints from life, and can be found in out of the way corners of cafes or perched on doorsteps, sketchbook and paints in hand. Her style is impressionistic and she loves loose, painterly brushstrokes that evoke the fleeting passage of time and capture a particular moment.
Check out her work at www.shannontroxler.com
I am thrilled to be a featured artist in San Miguel de Allende’s Lokkal online magazine, terraanima.org
Click here to read the story from the Lokkal website and to check out the other fabulous artists who share the stories about their work, or enjoy the story behind the painting “Antonia in the Jardin” below.
Much thanks to Lokkal Magazine for the invitation. This piece is the completed version of one of my 10 paintings in 10 days challenge, and was featured in the Ladies of the Night art opening in September 2015 in San Miguel de Allende.
Though it is still in progress, I present to you my final painting of this challenge.
Thank you, yes you, for following along with me. Your views and comments and likes and shares lit a fire under my butt to keep on painting. I learned about myself and the practice of painting, painted some of the best paintings I’ve done, and I couldn’t have done it without you.
This painting is another from the Storyville prostitutes, whose lives across the border mirrored the lives of their Mexican counterparts. The women would all dance in the hall, turn a trick, and more often than not sit and play cards when business was slow.
Although this is a New Orleans sourced photo, I’ll be using the designs from traditional Mexican handicrafts for the pillows, and work in photo references from our Casa de la Noche show for the girls.
Now it’s time to finish off these paintings and get them ready for the show!
September 12th, 5-8 at the Bordello Galeria in Casa de la Noche, #19 Organos, San Miguel de Allende.
I have figured out what was flummoxing me in my initial paintings of these ladies of the night–texture. The gorgeous and CHEAP handmade canvas, with it’s almost 3 inch deep frame and pre-toned primer applies, has a very different texture than the usual plastic-wrapped sort I’d get at El Pato or art supply stores in the states.
The toothy, richly toned canvas is ideal for a dry brush technique, where just a tad bit of paint is scrumbled, painting in a circular motion. I originally discovered this on day 5 of the challenge, but I added too much paint and lost the lovely, delicate quality of soft-toned skin that I had fallen for just a few brush strokes ago…
That’s why Day 6 of the 10 paintings in 10 days challenge produced one of my favorite works of late-I applied what I learned in day 5.
I used the same approach for today’s painting.
The internet here in San Miguel seems to be taking a siesta…or more likely tipsy on tequila, since it’s past midnight as I clock in day 9, so I can only load this one photo of the process.
This dama had a challenging, and yet resigned look in her photo. I was inspired to put the stamp of the San Miguel health inspection stamp on her card behind her head like an off-kilter halo. She immediately became Maria for me, a fallen angel, a very different manifestation of virgin mother…or perhaps more Mary Magdalene? Her breast is bared to offer sustenance, like each Mary did in her own way, and as all women offer themselves in one way or another to create life in this world.
I’m going to cut myself a break and add all the gold I want on this one. The Klimt influence gets to flirt with italian renaissance representations of the divine feminine. Loving that learning from my mistakes this past ten days, and learning how to use my materials, has led to the creation of this Maria.
10 Paintings in 10 days? What was I thinking?
I have to admit, I jumped into this challenge without really knowing what I was getting myself into. I had adopted a looser, faster style recently, and felt confident that I could at least make a really strong start on all the pieces for the show coming up in TWO WEEKS.
What doesn’t kill you makes you stronger…
One thing I love about this challenge is that it is keeping me painting in the studio, as non-stop as I can manage between teaching and celebrating life, like you do in Mexico (it’s a requirement here, like sitting in traffic in the states).
I think of painting like working out, you go to the gym and it hurts every time and you sweat every time…but each time you get back in there, you’re able to lift heavier and heavier weights.
But I gotta admit that painting is HARRRD.
I tell my students that, if they’re lucky, they will like 1 out of every 50 pieces of their work. Most often, we see what we want to fix, or what needs work, not the nice painting others see.
For day 8’s painting I revised a canvas I had all but cast aside
I went back to the studio, and knowing that I HAD to paint something tonight, I revised a painting that is very special to me that I had set aside months ago in frustration.
This painting is a gift to the wonderful host family I lived with my first 10 months in San Miguel, a portrait of their 3 fantastic kids.
Breaking my own rules of painting
Unfortunately, when I began the painting, I was out of practice drawing and broke all of the rules I use now. In fact, I learned my rules from my mistakes with this painting: now, I draw the subject at least 2 or three times before painting–the more I draw studies, the better the final painting.
I began this painting a year ago, no drawing studies, little practice. But I did them! Although I wasn’t satisfied with the original lay-in, the drawing in paint that sets the stage for the final piece, I continued on. So today, I had to work on reframing the faces and fixing some basic drawing issues I had in the beginning. Next, I need to add color so they don’t look like vampires and do the background.
I may still have a few more visits to the art-gym before I finish this painting, but I’m grateful this challenge has pushed me to keep working on it!
Painting number 7 is a big step away from what I had envisioned originally for this series. I have gotten away from the pure portraits of the ladies, which were taken from their health registration photo IDs, and I now want to show them in context of their life. The more I study this subject, the more fascinated I am by the daily life and social position of these women.
When I began painting them, I felt sorry for the shady ladies of San Miguel’s past. However, a book I’ve been listening to (audiobook style while I paint, a big time addiction for me) documents the lives of 1860s-1930s harlots from Colorado, and it has introduced me to a new concept of these women’s life. The book, Brothels, Bordellos, and Bad Girls, talks about how many of the ladies of the night were not victims, but wild child types who did not want to live the formulaic, oppressive life of pious mothers with a hoard of children to support. They wanted to get drunk and dance and sleep around, be independent and make their own money. In many ways, the average female U.S. college student has a lifestyle more similar to the bordello girl’s than to the proper social lady’s life a century back.
Anywho, here I used a reference photo from the infamous prostitute shots from Storyville, a 1912 New Orlean’s brothel where photographer E.J. Bellocq got intimate with the madame and was able to peek inside the lives of his muses when they were working, playing, and relaxing.
I’m having so much fun putting the ladies in context–although the scene is from 1912 New Orleans I will be using a face from the San Miguel girls, and with Mexico being a little bit behind the fashion the states I think it is still very fitting. More importantly, these girls shared the connection of their profession, their status, and in this photo in particular, one might imagined that there were times that they enjoyed their job.
Painting this gave me a much bigger appreciation for the composition. Although I loved the photo at first glance, only after I took the time to look deeply as an artist did I notice just how MANY patterns and designs liven up this image. The stockings are the focal point, of course. Love it!